Region: East Macedonia and Thrace

Journey Across the Balkans for Symphony Orchestra, Mixed Choir and Narrator

The new piece by Yannis Belonis Journey Across the Balkans for Symphony Orchestra, Mixed Choir, and Narrator focuses on the conflict that influenced the cultural dynamics among the Balkan peoples: while chauvinism of nation-states “enforced” the enhancement of national identities, the frequent mixing of populations along with numerous, consecutive border shifts often led to a fusion of traditions and deep intercultural interactions. Therefore, musical cultures that developed in Southeastern Europe, with their distinct differences and similarities, have created a particularly interesting and colourful musical mosaic that keeps evolving through modern sounds, illuminating the complex and often unexplored aspects of the cultural fermentations that have occurred within the Balkan peninsula throughout the centuries. 

The music of all the Balkan peoples was processed uniformly to create a performance involving a symphony orchestra, mixed choir, and a narrator. The latter, through the reading of Harris Sarris’ well-documented texts, will shed light on the conflicting and interconnected cultural identities of the people in the region. The performance’s musical journey begins in Greece and returns to its starting point, after traveling through all the states of the Balkan Peninsula – Bulgaria, Turkey, Albania, Serbia, North Macedonia, Romania, Montenegro, Croatia, Kosovo, Bosnia and Herzegovina.

 

Renato Mordo: The Hours

A theatrical piece that explores the “Odyssey” of the artist Renato Mordo and his wife Trude, set against the backdrop of his tragic imprisonment in Haidari during the German Occupation of Athens. An Austrian Jew of Greek and, for a short time, also of German, nationality, Mordo is an easy target in a time when the world has been divided into camps.

The main focus in this piece is on the Time that is running out, as the decision to transfer Mordo to Auschwitz is still pending. Through his correspondence with his wife Trude, her dreams and nightmares, her great love for Music and Theatre, and her inner conflicts are brought to life, as her descent, religion, nationality, and artistic identity sometimes serve as pathways to salvation, while at other times they lead to her condemnation.

The second protagonist on the stage is Music. Kalliopi Mitropoulou brings compositions in the style of the Inter-war era to life, taking us on a journey from the African coasts to the cabarets of Central Europe.